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Emma Fitzpatrick asked to read prison screenplay – Screenplay News and Reviews

Petition asks Emma Fitzpatrick to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  Emma Fitzpatrick (film producer) to read screenplay addressing Texas judicial system

Emma Fitzpatrick

Emma Fitzpatrick – Talent Agents
– Actress, Soundtrack, Producer – The Social Network (2010), The Collection (2012), In Time (2011), Before We Go (2014) – BRS / Gage Talent Agency, Sarabeth Schedeen –

Dumbass,

Emma Fitzpatrick & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?

EXCLUSIVE

Emma Fitzpatrick
Emma Fitzpatrick

More than 2000 women have signed an open letter to Jana Sandler calling on Emma Fitzpatrick and Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for Emma Fitzpatrick at BRS / Gage Talent Agency, Sarabeth Schedeen last week.

In the open letter to Emma Fitzpatrick, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on Emma Fitzpatrick for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

Actress, Soundtrack, Producer, Emma Fitzpatrick, has not responded to the petition. Nor has BRS / Gage Talent Agency, Sarabeth Schedeen responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplay “Dumbass” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that, Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

Emma Fitzpatrick has not commented on the script, thusfar. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Jana Sandler of Happy Madison Productions has also expressed interest in the screenplay.

Emma Fitzpatrick is a Actress, Soundtrack, Producer known for The Social Network (2010), The Collection (2012), In Time (2011), Before We Go (2014) and is represented by BRS / Gage Talent Agency, Sarabeth Schedeen.

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Interesting Character Moment – Not often we see a guy hanging from a cliff.

In Cliffhanger the protagonist is introduced hanging from a cliff. This alone is memorable, but when he loses a fellow climber and she falls to her death the introduction becomes a grand entrance.

External Conflict Introduction – Who tried to kill this woman and why?

Who can forget the visual CLOSE UP introduction of the protagonist in Kill Bill Vol. 1? Here’s a character we won’t soon forget!

It’s A Wonderful Life is another terrific example of emotional exhilaration in the end. Once George Bailey has seen what would have happened to his little town if he had never been born, and he decides he wants to live and realizes he is alive again, the pleasures just keep coming and coming and coming. It is as much a relief for us as for George, to experience him running through town, seeing all his old friends and familiar places restored. And then to see the whole town gathering at his house to help him, one character after another appearing to lend money, Violet deciding to stay in town, his old friend Sam wiring him a promise of as much money as he needs – the whole thing makes the audience glad to be alive, too. We feel, as George does, that the little things we do every day do count.

This is a good lesson, I think: above all, in an ending, the reader/audience has to CARE. A good ending has an emotional payoff, and it has to be proportionate to what the character and the reader/audience has experienced.

Spielberg paid that movie off with an emotional exhilaration rarely experienced in a story. Those characters earned that ending, and the audience did too, for surviving the whole brutal experience with them. Brilliant filmmaker that he is, Spielberg understood that. The emotion had to be there, or he would have failed his audience.

Topped only by the sudden surfacing of the beloved Richard Dreyfuss character, who has, after all, survived (in the book he died, but was far less of a good guy). The effect is pure elation.

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